The acanthus is one of the most common plant forms to make foliage ornament and decoration. In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy.
An acroterion is an architectural ornament placed on a flat pedestal called the acroter or plinth and mounted at the apex or corner of a pediment or tympanum of a building in the classical style. The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette, or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs.
An apron, in architecture, is a raised section of ornamental stonework below a window ledge, stone tablet, or monument. Aprons were used by Roman engineers to build Roman bridges. The main function of an apron was to surround the feet of the piers.
An astragal is a convex ornamental profile that separates two architectural components in classical architecture. The name is derived from the ancient Greek astragalos which means cervical vertebra. Astragals were used for columns as well as for the moldings of the entablature.
An avant-corps, a French term literally meaning "fore-body", is a part of a building, such as a porch or pavilion, that juts out from the corps de logis, often taller than other parts of the building. It is common in façades in French Baroque architecture.
An awning or overhang is a secondary covering attached to the exterior wall of a building. It is typically composed of canvas woven of acrylic, cotton or polyester yarn, or vinyl laminated to polyester fabric that is stretched tightly over a light structure of aluminium, iron or steel, possibly wood or transparent material.
Balconet or balconette is an architectural term to describe a false balcony, or railing at the outer plane of a window-opening reaching to the floor, and having, when the window is open, the appearance of a balcony.
A baluster is a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade.
A bossage is an uncut stone that is laid in place in a building, projecting outward from the building. This uncut stone is either for an ornamental purpose, creating a play of shadow and light, or for a defensive purpose, making the wall less vulnerable to attacks.
In architecture the capital (from the Latin caput, or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column.
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure.
In architecture, a cornice (from the Italian cornice meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element - the cornice over a door or window, for instance, or the cornice around the top edge of a pedestal or along the top of an interior wall.
Cresting, in architecture, is ornamentation attached to the ridge of a roof, cornice, coping or parapet, usually made of a metal such as iron or copper. Cresting is associated with Second Empire architecture, where such decoration stands out against the sharp lines of the mansard roof. It became popular in the late 19th century, with mass-produced sheet metal cresting patterns available by the 1890s.
A dentil is a small block used as a repeating ornament in the bedmould of a cornice. Dentils are found in ancient Greek and Roman architecture, and also in later styles such as Neoclassical, Federal, Georgian Revival, Greek Revival, Renaissance Revival, Second Empire, and Beaux-Arts architecture.
Egg-and-dart, also known as egg-and-tongue, egg and anchor, or egg and star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of molding, consisting of alternating details on the face of the ovolotypically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials.
An embrasure is an opening in a wall of a castle, fortress or bunker through which an enemy can be fired. The embrasure also serves to be able to spy on the enemy relatively safely. Since the smallest possible opening is desired for spying, the size of weapons has determined the size of the embrasures. When spying and cannon fire was combined, the opening consisted of an elongated opening combined with a round opening for firing.
An epigraph is an inscription or legend that serves mainly to characterize a building, distinguishing itself from the inscription itself in that it is usually shorter and it also announces the fate of the building.
A festoon, (originally a festal garland, Latin festum, feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.
A finial or hip knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, gable, or any of various distinctive ornaments at the top, end, or corner of a building or structure.
The Green Man, and very occasionally the Green Woman, is a legendary being primarily interpreted as a symbol of rebirth, representing the cycle of new growth that occurs every spring. The Green Man is most commonly depicted in a sculpture or other representation of a face that is made of or completely surrounded by leaves. The Green Man motif has many variations. Branches or vines may sprout from the mouth, nostrils, or other parts of the face, and these shoots may bear flowers or fruit. Found in many cultures from many ages around the world, the Green Man is often related to natural vegetation deities. Often used as decorative architectural ornaments, Green Men are frequently found in carvings on both secular and ecclesiastical buildings.
A gutta (literally means "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building.
A keystone is a wedge-shaped stone at the apex of a masonry arch or typically a round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults, keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern.
A loggia is a covered exterior corridor or porch that is part of the ground floor or can be elevated on another level. The roof is supported by columns or arches and the outer side is open to the elements.
A lunette is a half-moon-shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a half-moon window, or fanlight when bars separating its panes fan out radially.
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau.
A medallion is a carved relief in the shape of an oval or circle, used as an ornament on a building or on a monument. Medallions were mainly used in the 18th and 19th centuries as decoration on buildings. They are made of stone, wood, ceramics or metal.
A niche is a recess in the thickness of a wall. By installing a niche, the wall surface will be deeper than the rest of the wall over a certain height and width. A niche is often rectangular in shape, sometimes a niche is closed at the top with an arch, such as the round-arched friezes in a pilaster strip decoration. Niches often have a special function such as an apse or choir niche that houses an altar, or a tomb.
An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics.
A pediment is an architectural element found particularly in Classical, Neoclassical and Baroque architecture, and its derivatives, consisting of a gable, usually of a triangular shape, placed above the horizontal structure of the lintel, or entablature, if supported by columns. The tympanum, the triangular area within the pediment, is often decorated with relief sculpture. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements.
A protome is a type of adornment that takes the form of the head and upper torso of either a human or an animal. Protomes were often used to decorate ancient Greek architecture, sculpture, and pottery. Protomes were also used in Persian monuments.
A putto is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism, the putto came to represent the sacred cherub, and in Baroque art the putto came to represent the omnipresence of God.
A quadrilateral is a particular shape in tracery where four overlapping circles are located in a quadrilateral and are open on the side where they meet. They have been mainly used in the Gothic tracings of windows. They are frequently used in combination with other ornate motifs.
Quoins are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner.
A rosette is a round, stylized flower design. The rosette derives from the natural shape of the botanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered. The rosette design is used extensively in sculptural objects from antiquity, appearing in Mesopotamia, and in funeral steles' decoration in Ancient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with the Star of Ishtar. It was adopted later in Romaneseque and Renaissance architecture, and also common in the art of Central Asia, spreading as far as India where it is used as a decorative motif in Greco-Buddhist art.
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements.
A spire is a tall, slender, pointed structure on top of a roof or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires are typically built of stonework or brickwork, or else of timber structure with metal cladding, ceramic tiling, shingles, or slates on the exterior.
In Classical architecture a term or terminal figure is a human head and bust that continues as a square tapering pillar-like form. In the architecture and the painted architectural decoration of the European Renaissance and the succeeding Classical styles, term figures are quite common. Often they represent minor deities associated with fields and vineyards and the edges of woodland, Pan and fauns and Bacchantes especially, and they may be draped with garlands of fruit and flowers.
A trefoil ('three-leaved plant') is a graphic form composed of the outline of three overlapping rings, used in architecture and Christian symbolism, among other areas. The term is also applied to other symbols with a threefold shape. A similar shape with four rings is called a quatrefoil.
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called femur in Latin or meros in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order.
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes.
A tympanum (from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element.
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. The word derives from the Latin voluta ("scroll").
Eli Modiano (1881 - 1968) was a Jewish architect, scion of the well-known and wealthy Modiano family, one of the most powerful families of the Sephardic Jewish community of Thessaloniki. Eli Modiano studied at the École Centrale des Arts et Manufactures in Paris and after returning to Thessaloniki, he was one of the most important architects who left their mark on the city after he undertook the design of important buildings in the city, such as the Customs, Folklore and Ethnological Museum of Macedonia - Thrace and the Modiano Market.
Athens is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence starting somewhere between the 11th and 7th millennium BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political impact on the European continentparticularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Greece.
Budapest is the capital and the most populous city of Hungary. The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241. After the reconquest of Buda from the Ottoman Empire in 1686, the region entered a new age of prosperity, with Pest-Buda becoming a global city after the unification of Buda, Óbuda, and Pest on 17 November 1873, with the name Budapest given to the new capital.
Dresden is the capital city of the German state of Saxony and its second most populous city, after Leipzig. Although Dresden is a relatively recent city of Germanic origin followed by a settlement of Slavic people, the area had been settled in the Neolithic era by Linear Pottery culture tribes c. 7500 BC. Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendor, and was once by personal union the family seat of Polish monarchs. The city was known as the Jewel Box, because of its baroque and rococo city center.
Istanbul, formerly known as Constantinople, is the largest city in Turkey and the country's economic, cultural and historic center. The city straddles the Bosporus strait, and lies in both Europe and Asia. Founded as Byzantion by Megarian colonists in the 7th century BCE, and renamed by Constantine the Great first as New Rome during the official dedication of the city as the new Roman capital in 330 CE, which he soon afterwards changed to Constantinople, the city grew in size and influence, becoming a beacon of the Silk Road and one of the most important cities in history.
Thessaloniki, also known as Thessalonica, Saloniki, Solun or Salonica, is the second-largest city in Greece. Thessaloniki is located on the Thermaic Gulf, at the northwest corner of the Aegean Sea. The city of Thessaloniki was founded in 315 BC by Cassander of Macedon and was named after his wife Thessalonike, daughter of Philip II of Macedon and sister of Alexander the Great.
Vienna is the national capital, largest city, and one of nine states of Austria. Vienna is Austria's most populous city, and its cultural, economic, and political center. Vienna's ancestral roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city. It is well known for having played a pivotal role as a leading European music center, from the age of Viennese Classicism through the early part of the 20th century. The historic center of Vienna is rich in architectural ensembles, including Baroque palaces and gardens, and the late-19th-century Ringstraße lined with grand buildings, monuments and parks.
Boris III the Unifier (His Majesty Boris III, by the grace of God and the People's Will, King of Bulgaria, Prince Saxe-Coburg-Gotha and Duke of Saxony) was heir to the throne and Prince of Tarnovo from his birth on January 30, 1894 to October 2, 1918. and king of Bulgaria from his coronation on October 3, 1918 until his death on August 28, 1943. He was the son of Tsar Ferdinand I, who abdicated in his favor after the defeat of Bulgaria in the First World War.
Eleftherios Kyriakou Venizelos (23 August 1864 - 18 March 1936) was a Greek statesman and a prominent leader of the Greek national liberation movement. He is noted for his contribution to the expansion of Greece and the promotion of liberal-democratic policies. As leader of the Liberal Party, he held office as prime minister of Greece for over 12 years, spanning eight terms between 1910 and 1933. Venizelos had a such profound influence on the internal and external affairs of Greece that he is credited with being "The Maker of Modern Greece", and is still widely known as the "Ethnarch".
George II (1890 - 1 April 1947) was King of Greece from September 1922 to March 1924 and from November 1935 to his death in April 1947. The eldest son of King Constantine I and Sophia of Prussia, George followed his father into exile in 1917 following the National Schism, while his younger brother Alexander was installed as king. Greece was proclaimed a republic in March 1924 and George was formally deposed and stripped of Greek nationality. He remained in exile until the Greek monarchy was restored in 1935, upon which he resumed his royal duties. Greece was overrun following a German invasion in April 1941, forcing George into exile once more. He died of arteriosclerosis in April 1947 at the age of 56. Having no children, he was succeeded by his younger brother, Paul.
In ancient Greek religion and mythology, the Muses are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration.
The First World War began on July 28, 1914, and lasted until November 11, 1918. It was a global war and lasted exactly 4 years, 3 months, and 2 weeks. Most of the fighting was in continental Europe. Soldiers from many countries took part, and it changed the colonial empires of the European powers. Before World War II began in 1939, World War I was called the Great War, or the World War. Other names are the Imperialist War and the Four Years' War. There were 135 countries that took part in the First World War, and nearly 10 million people died while fighting. Before the war, European countries had formed alliances to protect themselves. However, that made them divide themselves into two groups. When Archduke Franz Ferdinand of Austria was assassinated on June 28, 1914, Austria-Hungary blamed Serbia and declared war on it. Russia then declared war on Austria-Hungary, which set off a chain of events in which members from both groups of countries declared war on each other.
The 1923 Population Exchange between Greece and Turkey was based on religious identity and included the Orthodox Christian citizens of Turkey and the Muslim citizens of Greece. It was compulsory large-scale population exchange, or otherwise, agreed with mutual displacement. The only one in world history that was dictated by an international convention. However, he also used the national criterion, allowing Albanian-speaking Christians to stay in Greece and Arabic-speaking Christians in Turkey. Also, the Convention itself mentions in Article 3 the exchange parties as Greeks and Turks.
The Second World War was a global war that involved fighting in most of the world. Most countries fought from 1939 to 1945, but some started fighting in 1937. Most of the world's countries, including all of the great powers, fought as part of two military alliances: the Allies and the Axis Powers. It involved more countries, cost more money, involved more people, and killed more people than any other war in history. Between 50 to 85 million people died, most of whom were civilians. The war included massacres, a genocide called the Holocaust, strategic bombing, starvation, disease, and the only use of nuclear weapons against civilians in history.
Topkapi is a 1964 American Technicolor heist film produced by Filmways Pictures and distributed by United Artists. The film was produced and directed by the émigré American film director Jules Dassin. The film is based on Eric Ambler's novel The Light of Day (1962), adapted as a screenplay by Monja Danischewsky. The film stars Melina Mercouri, Peter Ustinov, Maximilian Schell, Robert Morley, and Akim Tamiroff. The music score was by Manos Hadjidakis, the cinematography by Henri Alekan, and the costume design by Theoni V. Aldredge. The film won an Academy Award in 1965, with Peter Ustinov taking home the trophy for Best Supporting Actor, his second such award in four years.
Maria Amalia "Melina" Mercouri (18 October 1920 - 6 March 1994) was a Greek actress, singer, activist, and politician. She came from a political family that was prominent over multiple generations. She received an Academy Award nomination and won a Cannes Film Festival Best Actress Award for her performance in the film Never on Sunday (1960). Mercouri was also nominated for one Tony Award, three Golden Globes, and two BAFTA Awards in her acting career. In 1987 she was awarded a special prize in the first edition of the Europe Theatre Prize. As a politician, she was a member of the PASOK and the Hellenic Parliament. In October 1981, Mercouri became the first female Minister of Culture and Sports. She was the longest-lived Minister of Culture in Greece - serving during the years 1981-89 and 1993 till her death in 1994, in all PASOK governments. Mercouri's political activism included her long campaign for the return of the Parthenon Marbles. One of her greatest achievements was the establishment of the European Capitals of Culture, with Athens chosen as the first capital in 1985.
Žilina is a city in north-western Slovakia, close to both the Czech and Polish borders. The area around today's Žilina was inhabited in the late Stone Age about 20,000 BC. In the 5th century, Slavs started to move into the area. However, the first written reference to Žilina was in 1208 as terra de Selinan. From the second half of the 10th century until 1918, it was part of the Kingdom of Hungary. The historical center of the city, reconstructed in the early 1990s is protected as a city monument reserve. It is centered on the Mariánske námestie and Andrej Hlinka squares.
Peristasi is a village and a community in the Katerini municipality, Pieria, Central Macedonia, Greece. Before the 2011 local government reform, it was part of the municipality of Paralia, of which it was a municipal district. The village was founded under the name of New Peristasis after 1922, by refugees from old Peristasis (present-day Şarköy of Eastern Thrace). Apart from the Thracians, in the last few years, Pontians and Vlachs have settled down. At the time of the Axis occupation, 14 villagers were executed by the Nazis. Inside Peristasi there was the seat of the New Zealand Allies camp, which was hosted by residents of the nearby village, Kallithea. From 1947 until 1950, residents of Skoteina, who were struck by the rebels, settled in the village during the Civil War.
