The acanthus is one of the most common plant forms to make foliage ornament and decoration. In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy.
An apron, in architecture, is a raised section of ornamental stonework below a window ledge, stone tablet, or monument. Aprons were used by Roman engineers to build Roman bridges. The main function of an apron was to surround the feet of the piers.
In classical architecture, an architrave ("door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join.
An astragal is a convex ornamental profile that separates two architectural components in classical architecture. The name is derived from the ancient Greek astragalos which means cervical vertebra. Astragals were used for columns as well as for the moldings of the entablature.
An avant-corps, a French term literally meaning "fore-body", is a part of a building, such as a porch or pavilion, that juts out from the corps de logis, often taller than other parts of the building. It is common in façades in French Baroque architecture.
An awning or overhang is a secondary covering attached to the exterior wall of a building. It is typically composed of canvas woven of acrylic, cotton or polyester yarn, or vinyl laminated to polyester fabric that is stretched tightly over a light structure of aluminium, iron or steel, possibly wood or transparent material.
Balconet or balconette is an architectural term to describe a false balcony, or railing at the outer plane of a window-opening reaching to the floor, and having, when the window is open, the appearance of a balcony.
A baluster is a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade.
A bossage is an uncut stone that is laid in place in a building, projecting outward from the building. This uncut stone is either for an ornamental purpose, creating a play of shadow and light, or for a defensive purpose, making the wall less vulnerable to attacks.
In architecture the capital (from the Latin caput, or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column.
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure.
In architecture, a cornice (from the Italian cornice meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element - the cornice over a door or window, for instance, or the cornice around the top edge of a pedestal or along the top of an interior wall.
Cresting, in architecture, is ornamentation attached to the ridge of a roof, cornice, coping or parapet, usually made of a metal such as iron or copper. Cresting is associated with Second Empire architecture, where such decoration stands out against the sharp lines of the mansard roof. It became popular in the late 19th century, with mass-produced sheet metal cresting patterns available by the 1890s.
A dentil is a small block used as a repeating ornament in the bedmould of a cornice. Dentils are found in ancient Greek and Roman architecture, and also in later styles such as Neoclassical, Federal, Georgian Revival, Greek Revival, Renaissance Revival, Second Empire, and Beaux-Arts architecture.
Egg-and-dart, also known as egg-and-tongue, egg and anchor, or egg and star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of molding, consisting of alternating details on the face of the ovolotypically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials.
An epigraph is an inscription or legend that serves mainly to characterize a building, distinguishing itself from the inscription itself in that it is usually shorter and it also announces the fate of the building.
A festoon, (originally a festal garland, Latin festum, feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.
A finial or hip knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, gable, or any of various distinctive ornaments at the top, end, or corner of a building or structure.
The Green Man, and very occasionally the Green Woman, is a legendary being primarily interpreted as a symbol of rebirth, representing the cycle of new growth that occurs every spring. The Green Man is most commonly depicted in a sculpture or other representation of a face that is made of or completely surrounded by leaves. The Green Man motif has many variations. Branches or vines may sprout from the mouth, nostrils, or other parts of the face, and these shoots may bear flowers or fruit. Found in many cultures from many ages around the world, the Green Man is often related to natural vegetation deities. Often used as decorative architectural ornaments, Green Men are frequently found in carvings on both secular and ecclesiastical buildings.
A gutta (literally means "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building.
A keystone is a wedge-shaped stone at the apex of a masonry arch or typically a round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults, keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern.
A lesene, also called a pilaster strip, is an architectural term for a narrow, low-relief, vertical pillar in a wall. It resembles a pilaster but does not have a base or capital. It is typical in Lombardic and Rijnlandish architectural building styles. Lesenes are used in architecture to vertically divide a facade or other wall surface optically, albeitunlike pilasterswithout a base or capital. Their function is ornamental, not just to decorate the plain surface of a wall but, in the case of corner lesenes, to emphasize the edges of a building.
A loggia is a covered exterior corridor or porch that is part of the ground floor or can be elevated on another level. The roof is supported by columns or arches and the outer side is open to the elements.
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau.
A medallion is a carved relief in the shape of an oval or circle, used as an ornament on a building or on a monument. Medallions were mainly used in the 18th and 19th centuries as decoration on buildings. They are made of stone, wood, ceramics or metal.
A niche is a recess in the thickness of a wall. By installing a niche, the wall surface will be deeper than the rest of the wall over a certain height and width. A niche is often rectangular in shape, sometimes a niche is closed at the top with an arch, such as the round-arched friezes in a pilaster strip decoration. Niches often have a special function such as an apse or choir niche that houses an altar, or a tomb.
An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics.
A pediment is an architectural element found particularly in Classical, Neoclassical and Baroque architecture, and its derivatives, consisting of a gable, usually of a triangular shape, placed above the horizontal structure of the lintel, or entablature, if supported by columns. The tympanum, the triangular area within the pediment, is often decorated with relief sculpture. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements.
A protome is a type of adornment that takes the form of the head and upper torso of either a human or an animal. Protomes were often used to decorate ancient Greek architecture, sculpture, and pottery. Protomes were also used in Persian monuments.
A putto is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism, the putto came to represent the sacred cherub, and in Baroque art the putto came to represent the omnipresence of God.
A quadrilateral is a particular shape in tracery where four overlapping circles are located in a quadrilateral and are open on the side where they meet. They have been mainly used in the Gothic tracings of windows. They are frequently used in combination with other ornate motifs.
Quoins are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner.
A rosette is a round, stylized flower design. The rosette derives from the natural shape of the botanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered. The rosette design is used extensively in sculptural objects from antiquity, appearing in Mesopotamia, and in funeral steles' decoration in Ancient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with the Star of Ishtar. It was adopted later in Romaneseque and Renaissance architecture, and also common in the art of Central Asia, spreading as far as India where it is used as a decorative motif in Greco-Buddhist art.
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements.
A spire is a tall, slender, pointed structure on top of a roof or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires are typically built of stonework or brickwork, or else of timber structure with metal cladding, ceramic tiling, shingles, or slates on the exterior.
The term stained glass refers to colored glass as a material and to works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculptures.
In Classical architecture a term or terminal figure is a human head and bust that continues as a square tapering pillar-like form. In the architecture and the painted architectural decoration of the European Renaissance and the succeeding Classical styles, term figures are quite common. Often they represent minor deities associated with fields and vineyards and the edges of woodland, Pan and fauns and Bacchantes especially, and they may be draped with garlands of fruit and flowers.
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called femur in Latin or meros in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order.
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes.
A tympanum (from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element.
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. The word derives from the Latin voluta ("scroll").
Belgrade is the capital and largest city of Serbia. It is located at the confluence of the Sava and Danube rivers and the crossroads of the Pannonian Plain and the Balkan Peninsula. Belgrade is one of the oldest continuously inhabited cities in Europe and the World. One of the most important prehistoric cultures of Europe, the Vinča culture, evolved within the Belgrade area in the 6th millennium BC. In antiquity, Thraco-Dacians inhabited the region and, after 279 BC, Celts settled the city, naming it Singidűn. It was conquered by the Romans under the reign of Augustus and awarded Roman city rights in the mid-2nd century. It was settled by the Slavs in the 520s, and changed hands several times between the Byzantine Empire, the Frankish Empire, the Bulgarian Empire, and the Kingdom of Hungary before it became the seat of the Serbian king Stefan Dragutin in 1284.
Vienna is the national capital, largest city, and one of nine states of Austria. Vienna is Austria's most populous city, and its cultural, economic, and political center. Vienna's ancestral roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city. It is well known for having played a pivotal role as a leading European music center, from the age of Viennese Classicism through the early part of the 20th century. The historic center of Vienna is rich in architectural ensembles, including Baroque palaces and gardens, and the late-19th-century Ringstraße lined with grand buildings, monuments and parks.
Milan Obrenović (22 August 1854 - 11 February 1901) reigned as the prince of Serbia from 1868 to 1882 and subsequently as king from 1882 to 1889. Milan I unexpectedly abdicated in favor of his son, Alexander I of Serbia, in 1889. Milan Obrenović was born in 1854 in Mărăşeşti, Moldavia where his family had lived in exile ever since the 1842 return of the rival House of Karađorđević to the Serbian throne when they managed to depose Milan's cousin Prince Mihailo Obrenović III. On 6 March 1882, the Principality of Serbia was declared a kingdom and Milan was proclaimed King of Serbia. On 3 January 1889, Milan adopted a new constitution much more liberal than the existing one of 1869. Two months later, on 6 March, thirty-four-year-old Milan suddenly abdicated the throne, handing it over to his twelve-year-old son. No satisfactory reason was assigned for this step.
Milutin Borisavljević (June 25, 1889, Kragujevac - July 3, 1970, Paris, France) was a distinguished Serbian architect and aesthetician, who studied at the Sorbonne, where he received his doctorate. He is cited as a distinguished architect and one of the most prominent critics of interwar architecture. Today, Borisavljević is considered the progenitor of the Association of Belgrade Architects. Since 2007, the circular street (direct to Prelivačka Street) in Borča has been named after Milutin Borisavljević. His activity in the famous Velingrad thermal spa in the Rhodope Mountains, where in 1928, is particularly interesting. for the account of the Belgrade industrialist, Stojadin Stevović (1888-1945), designed Villa "Rajna" for the needs of the Stevović and Simić families. The villa was built in the same year in the spirit of then-prevailing French classicism, but with discreet decorative elements in the Art Deco style. Today, in accordance with the regulations of the Republic of Bulgaria, Villa "Rajna" is protected as a cultural monument of regional importance.
The caduceus is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was also borne by heralds in general, for example by Iris, the messenger of Hera. It is a short staff entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was often depicted being carried in the left hand of Mercury, the messenger of the gods.
In ancient Greek religion and mythology, Demeter is the Olympian goddess of harvest and agriculture, presiding over grains and the fertility of the earth. She was also called Deo.. Her cult titles include Sito, "she of the Grain", as the giver of food or grain, and Thesmophoros, "giver of customs" or "legislator", in association with the secret female-only festival called the Thesmophoria.
Hermes is an Olympian deity in ancient Greek religion and mythology. Hermes is considered the herald of the gods. He is also considered the protector of human heralds, travellers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine, aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"a conductor of souls into the afterlife.
When Rhea gave birth to Zeus, she put him in a cave, located at Mount Ida on the island of Crete. In this way, his father Cronus would be unable to find him and swallow him, which he had done with his previous children. There, it was the goat Amalthea that nourished Zeus with her milk until he was grown up. One day, as young Zeus played with Amalthea, he accidentally broke off her horn. To make up for it and as a sign of gratitude, Zeus blessed the broken horn, so that its owner would find everything they desired in it.
The First World War began on July 28, 1914, and lasted until November 11, 1918. It was a global war and lasted exactly 4 years, 3 months, and 2 weeks. Most of the fighting was in continental Europe. Soldiers from many countries took part, and it changed the colonial empires of the European powers. Before World War II began in 1939, World War I was called the Great War, or the World War. Other names are the Imperialist War and the Four Years' War. There were 135 countries that took part in the First World War, and nearly 10 million people died while fighting. Before the war, European countries had formed alliances to protect themselves. However, that made them divide themselves into two groups. When Archduke Franz Ferdinand of Austria was assassinated on June 28, 1914, Austria-Hungary blamed Serbia and declared war on it. Russia then declared war on Austria-Hungary, which set off a chain of events in which members from both groups of countries declared war on each other.
The Second World War was a global war that involved fighting in most of the world. Most countries fought from 1939 to 1945, but some started fighting in 1937. Most of the world's countries, including all of the great powers, fought as part of two military alliances: the Allies and the Axis Powers. It involved more countries, cost more money, involved more people, and killed more people than any other war in history. Between 50 to 85 million people died, most of whom were civilians. The war included massacres, a genocide called the Holocaust, strategic bombing, starvation, disease, and the only use of nuclear weapons against civilians in history.
The Serbo-Bulgarian War was a war between the Kingdom of Serbia and Principality of Bulgaria that erupted on 14 November 1885 and lasted until 28 November 1885. Despite Bulgaria being a vassal state of the Ottoman Empire, the Turks did not intervene in the war. Serbia took the initiative in starting the war but was decisively defeated. Austria demanded Bulgaria stop its invasion, and a truce resulted. Final peace was signed on 3 March 1886 in Bucharest. The old boundaries were not changed. As a result of the war, European powers acknowledged the act of Unification of Bulgaria which happened on 18 September 1885.
Milorad Ruvidić was a Serbian architect who lived and worked in the formative period of the Belle Époque that swept the continent and changed the landscape of all major European capitals, including Belgrade. Milorad Ruvidić was born on 5 April 1863 in the village of Lipolist in Šabac, Serbia. As the son of Marija and Very Reverend Rajko Ruvidić, he attended the Gymnasium in Belgrade (better known as Realka High School), opting to pursue further studies in technical sciences. Milorad Ruvidić graduated in September 1884 from the Technical Faculty of Belgrade's Velika škola, with twelve other colleagues who received government scholarships to study abroad. In 1884 he moved to Berlin and received his technical and artistic education in architecture at a Polytechnic Institute, better known as Königlich Technische Hochschule Charlottenburg. In 1893 he returned to Serbia where he entered the Royal Serbian government's Ministry of Public Works, where he was concerned with building construction.
Nikola Rašić (ca. 1839 - August 6, 1898), known as Kole Rašić was a Serb revolutionary and guerilla fighter, who led a cheta of 300 men between Niš and Leskovac in Ottoman areas during the Serbian-Turkish Wars (1876-1878). He later became a politician in liberated Niš. He was a merchant by profession, who on his trip to Russia met with Miloš Obrenović and decided to stay in Niš to prepare for a future liberation with the help of the Serbian Army. Rašić was one of the founders and organizers of the Niš Committee, established in 1874, with the goal of liberating the Niš Sanjak. His unit joined General Mikhail Chernyayev in 1876.
The coat of arms of the Republic of Serbia is the coat of arms determined by the Law on the Coat of Arms of the Kingdom of Serbia on June 16, 1882. It was officially readopted by the National Assembly in 2004 and later slightly redesigned in 2010. The coat of arms consists of two main heraldic symbols that represent the national identity of the Serbian people across the centuries, the Serbian eagle (a silver double-headed eagle adopted from the Nemanjić dynasty) and the Serbian cross (or cross with firesteels).
Dimitrije (28 October 1846 - 6 April 1930) was the first Patriarch of the reunified Serbian Orthodox Church, from 1920 until his death. He was styled "His Holiness, the Archbishop of Peć, Metropolitan of Belgrade and Karlovci, and Serbian Patriarch". Dimitrije Pavlović was born on 28 October 1846 in Požarevac, Serbia. He was appointed Bishop of Niš in 1884, and held that title until 1889. He then became Bishop of Šabac-Valjevo in 1898 and held that title until 1905. When Inokentije, Metropolitan of Belgrade, died in 1905, Dimitrije was appointed the successor. In 1920, the Serbian Patriarchate was re-established, thus Dimitrije became the first head of the re-established patriarchate. On 8 June 1922, he wed King Alexander I and Princess Maria of Romania in the Cathedral Church in Belgrade. Patriarch Dimitrije died on 6 April 1930 in Belgrade and was buried in the Rakovica monastery.
Đorđe Vajfert (15 July 1850 - 12 January 1937) was a Serbian industrialist, Governor of the National Bank of Serbia and after 1920 the National Bank of Yugoslavia. In addition, he is considered the founder of the modern mining sector in Serbia and a great benefactor. Đorđe Vajfert was an important patron and supporter of humanitarian and cultural institutions. In 1890, he was appointed Governor of the National Bank of Serbia. He served in this capacity from 1890 to 1902, and again from 1912 to 1918. During this period he acquired a good reputation maintaining the value of the Serbian dinar and in credit. After 1918, because of his good offices, Vajfert was appointed Governor of the National Bank of Yugoslavia.
The winged lion is a mythological creature that resembles a lion with bird-like wings. The winged lion is found in various forms especially in ancient and medieval civilizations. There were different mythological adaptions for the winged lion. Lamassu or shedu in Mesopotamian mythology was depicted as a winged lion. It was often depicted with a bull's body instead of a lion's body. The griffin in classical mythology was depicted as a lion-eagle creature. Griffin-like creatures were depicted in Egyptian and Persian mythology. The first beast in the first vision of the biblical prophet Daniel resembled a winged lion. The winged lion was the heraldic symbol of Mark the Evangelist. The Goetic demon Vapula was depicted as a winged lion.
Stevan Sremac (Senta, November 11, 1855 - Sokobanja, August 12, 1906) was a Serbian writer of the era of realism and an academic. As his parents passed away when he was still a child, Stevan was taken care of by his uncle, Jovan Đorđević, a Serbian writer. Stevan Sremac participated in the wars of 1876-1878. years. He was educated and grew up in Belgrade, and he started to deal with literature late, in his thirties. He belonged to the era of realism, and his most famous works are Ivko Slava, Pop Ćira, Pop Spira, and Zona Zamfirova.
