The acanthus is one of the most common plant forms to make foliage ornament and decoration. In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy.
An apron, in architecture, is a raised section of ornamental stonework below a window ledge, stone tablet, or monument. Aprons were used by Roman engineers to build Roman bridges. The main function of an apron was to surround the feet of the piers.
An avant-corps, a French term literally meaning "fore-body", is a part of a building, such as a porch or pavilion, that juts out from the corps de logis, often taller than other parts of the building. It is common in façades in French Baroque architecture.
A baluster is a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail are known as a balustrade.
Bargeboard is a board fastened to the projecting gables of a roof to give them strength, protection, and to conceal the otherwise exposed end of the horizontal timbers or purlins of the roof to which they were attached. Bargeboards are sometimes moulded only or carved, but as a rule the lower edges were cusped and had tracery in the spandrels besides being otherwise elaborated.
A bifora is a type of window divided vertically into two openings by a small column or a mullion or a pilaster; the openings are topped by arches, round or pointed. Sometimes the bifora is framed by a further arch; the space between the two arches may be decorated with a coat of arms or a small circular opening. The bifora was used in Byzantine architecture, including Italian buildings such as the Basilica of Sant'Apollinare Nuovo, in Ravenna. Typical of the Romanesque and Gothic periods, in which it became an ornamental motif for windows and belfries, the bifora was also often used during the Renaissance period. In Baroque architecture and Neoclassical architecture, the bifora was largely forgotten or replaced by elements like the three openings of the Venetian window. It was also copied in the Moorish architecture in Spain.
A bossage is an uncut stone that is laid in place in a building, projecting outward from the building. This uncut stone is either for an ornamental purpose, creating a play of shadow and light, or for a defensive purpose, making the wall less vulnerable to attacks.
In architecture the capital (from the Latin caput, or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column.
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure.
In architecture, a cornice (from the Italian cornice meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element - the cornice over a door or window, for instance, or the cornice around the top edge of a pedestal or along the top of an interior wall.
Cresting, in architecture, is ornamentation attached to the ridge of a roof, cornice, coping or parapet, usually made of a metal such as iron or copper. Cresting is associated with Second Empire architecture, where such decoration stands out against the sharp lines of the mansard roof. It became popular in the late 19th century, with mass-produced sheet metal cresting patterns available by the 1890s.
A dentil is a small block used as a repeating ornament in the bedmould of a cornice. Dentils are found in ancient Greek and Roman architecture, and also in later styles such as Neoclassical, Federal, Georgian Revival, Greek Revival, Renaissance Revival, Second Empire, and Beaux-Arts architecture.
A finial or hip knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, gable, or any of various distinctive ornaments at the top, end, or corner of a building or structure.
A gutta (literally means "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building.
A keystone is a wedge-shaped stone at the apex of a masonry arch or typically a round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults, keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern.
In architecture, a mascaron ornament is a face, usually human, sometimes frightening or chimeric whose alleged function was originally to frighten away evil spirits so that they would not enter the building. The concept was subsequently adapted to become a purely decorative element. The most recent architectural styles to extensively employ mascarons were Beaux Arts and Art Nouveau.
A medallion is a carved relief in the shape of an oval or circle, used as an ornament on a building or on a monument. Medallions were mainly used in the 18th and 19th centuries as decoration on buildings. They are made of stone, wood, ceramics or metal.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics.
A pediment is an architectural element found particularly in Classical, Neoclassical and Baroque architecture, and its derivatives, consisting of a gable, usually of a triangular shape, placed above the horizontal structure of the lintel, or entablature, if supported by columns. The tympanum, the triangular area within the pediment, is often decorated with relief sculpture. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements.
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes.
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. The word derives from the Latin voluta ("scroll").
Moscow is the capital and largest city of Russia and is located on the Moskva River in Central Russia. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its namesake. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow still remained as the political and economic center for most of the Tsardom's history. As the historic core of Russia, Moscow serves as the home of numerous Russian artists, scientists, and sports figures due to the presence of its various museums, academic and political institutions, and theatres. The city is home to several UNESCO World Heritage Sites and is well known for its display of Russian architecture, particularly its historic Red Square, and buildings such as the Saint Basil's Cathedral and the Moscow Kremlin, of which the latter serves as the seat of power of the Government of Russia.
Karl Heinrich Marx (5 May 1818 in Trier, Prussia - 14 March 1883 in London, England) was a German political thinker who wrote about economics and politics. Marx thought that if a place that works together runs on wage labor, then there would always be class struggle. Marx thought that this class struggle would result in workers taking power. He believed that no economic classwage workers, land owners, etc. should have power over another. Marx believed that everyone should contribute what they can, and everyone should get what they need. His most famous book was the Communist Manifesto. He wrote it with Friedrich Engels in 1848. The book is about the ideas and aims of communism. His ideas are called Marxism.
Hungary's current coat of arms was adopted in 1990, after the fall of the communist regime. Although Hungary is a republic, the coat of arms bears the Hungarian royal crown, the Stephen's Crown. The coat of arms was widely used throughout Hungary's history, both with and without the crown, and sometimes as part of a larger coat of arms. The shield consists of two halves. On the left are four red and four silver (white) horizontal stripes, on the right three hills with on the middle a white patriarchal cross with a crown at the foot.
The First World War began on July 28, 1914, and lasted until November 11, 1918. It was a global war and lasted exactly 4 years, 3 months, and 2 weeks. Most of the fighting was in continental Europe. Soldiers from many countries took part, and it changed the colonial empires of the European powers. Before World War II began in 1939, World War I was called the Great War, or the World War. Other names are the Imperialist War and the Four Years' War. There were 135 countries that took part in the First World War, and nearly 10 million people died while fighting. Before the war, European countries had formed alliances to protect themselves. However, that made them divide themselves into two groups. When Archduke Franz Ferdinand of Austria was assassinated on June 28, 1914, Austria-Hungary blamed Serbia and declared war on it. Russia then declared war on Austria-Hungary, which set off a chain of events in which members from both groups of countries declared war on each other.
The Second World War was a global war that involved fighting in most of the world. Most countries fought from 1939 to 1945, but some started fighting in 1937. Most of the world's countries, including all of the great powers, fought as part of two military alliances: the Allies and the Axis Powers. It involved more countries, cost more money, involved more people, and killed more people than any other war in history. Between 50 to 85 million people died, most of whom were civilians. The war included massacres, a genocide called the Holocaust, strategic bombing, starvation, disease, and the only use of nuclear weapons against civilians in history.
Edvard Beneš (28 May 1884 - 3 September 1948) was a Czech politician and statesman who served as the president of Czechoslovakia from 1935 to 1938, and again from 1939 to 1948. During the first six years of his second stint, he led the Czechoslovak government-in-exile during the Second World War. As president, Beneš faced two major crises, which both resulted in his resignation. His first resignation came after the Munich Agreement and subsequent German occupation of Czechoslovakia in 1938, which resulted in his government's exile in the United Kingdom. The second came about with the 1948 Communist coup, which created a Communist regime in Czechoslovakia. Before his time as president, Beneš was also the first foreign affairs minister (1918-1935) and the fourth prime minister (1921-1922) of Czechoslovakia. The de facto leader of the Czech National Social Party, he was known as a skilled diplomat.
Juraj Tvarožek (November 30, 1887, Brezová pod Bradlom - January 12, 1966, Brezová pod Bradlom) was a Slovak architect. He is among the most important Slovak architects of the interwar period. He was born in the family of a blacksmith. He wanted to become a painter from an early age. Between the years 1898 and 1903, he studied at a real gymnasium in Bratislava, but due to social conditions, he exchanged his studies for the trade of bricklayer. Later, between the years 1904 and 1907, he studied at the state industrial school in Budapest. He didn't have a college degree. In 1908, he got a job in Prague with the architect Alois Dryák, who was currently working on the monument to Fr. Palacký and St. Wenceslas. At the same time, he attended the evening drawing classes of Professor Beneš. Between the years 1911 and 1914, he worked in the Budapest studio of M. M. Harminc and Robert Flesh. He won a prize for a design for a Calvinist church. In 1914, he enlisted in the war and was captured. In captivity, he managed to design a mining town. Later, as a member of the Czechoslovak legions, he was in the USA and after returning to his homeland, he passed the construction exams. Later he came to Bratislava, where he settled permanently and started his independent creative activity. In 1944, he was an active participant in the Slovak National Uprising. He was arrested in the 1950s and returned from prison in poor health. He died in his native village in Brezová pod Bradlo on January 12, 1966, where he is also buried. Tvarožek was strongly inspired by Myjava folk architecture and art.
